between here and there: Creative Writing Workshop with Amina Jama

When: Sunday, 5 October 2025, 11:00 am - 2:00 pm

Where: Red House, Red House Lane, Bexleyheath, London, DA6 8JF

Who: This is a free event, and everyone is welcome. Places are limited, please book your space.

Led by Somali, London-based writer and curator Amina Jama, ‘between here and there’ is a creative writing workshop and shared lunch for mothers, daughters, and women who wish to share, or simply listen to, histories of migration. The workshop offers a space to reflect on walking, travelling, and tracing new routes. Inspired by the desire to remain connected with family across distance, it explores the tension between being rooted in one place while reaching toward another.

In dialogue with Open Country, a new film commission by Amaal Said, participants will be invited to engage with emotions and personal histories of displacement, dual cultural identity, and family ties that extend across borders.

Throughout the day, the participants will watch Amaal Said’s film Open Country and share a meal prepared by local Somali chef Roon’s Catering.

Please note:Mothers, daughters, and women wishing to share their stories or to listen are warmly welcome. Free booking is essential, as this will be a small gathering designed to create a safe and supportive space for sharing.

Important Information:

• This event is FREE and open to all. However, participants under 16 must be accompanied by a responsible adult.
• Limited spaces available. Booking via Eventbrite is essential. 

Nearest Transport Links:

• Car: M25 junction 2 to A2 for Bexleyheath. Exit Danson interchange and follow A221 Bexleyheath. Please note, there is no parking on site. The nearest parking is at Danson Park, 1 mile (DA6 8HL). Charges apply at weekends and Bank Holidays
• Train: Bexleyheath. Trains run directly from London Victoria, London Charing Cross and London Cannon Street.
• Bus: 89, 422, 486, B11 and B16 London Central; B12 and B15 Arriva Kent Thameside; B14 Metrobus; 96 Selkent. All stop at Upton Road.

Accessibility Notice:

• Gravel driveway, grass lawns and uneven brick paths. Ramp access available to the ground floor of the house, no step-free access to the first floor.
• For detailed accessibility information and the Red House access statement, please visit the Red House website.

About

Amaal Said is a London-based multidisciplinary artist whose work encompasses visual storytelling and community engagement. Born in Denmark to Somali parents, her photography has been featured in Vogue, The Guardian, and The New Yorker. She has exhibited internationally and received the Southwark Council’s I Create grant for her film Notes on Getting Home in 2022. As a Picture Researcher at Hyphen, she curates visuals to amplify Muslim narratives. Amaal holds an MA in Art & Politics from Goldsmiths and a BA in Politics from SOAS.

Red House is a building of extraordinary architectural and social significance, the only house commissioned, created and lived in by William Morris, founder of the Arts & Crafts movement. Designed by Philip Webb and completed in 1860, it was described by Edward Burne-Jones as 'the beautifullest place on earth'. The rooms at Red House give a unique view of William and Janey's life and the establishment of what later became Morris & Co. Red House boasts original features and furniture by Morris and Philip Webb, stained glass and paintings by Burne-Jones and embroidery by Jane and Elizabeth Burden. Coupled with bold architecture and a garden designed to 'clothe the house', they add up to a fascinating and rewarding place to visit.

The Open Road is a series of artists' moving image works, co-commissioned by a partnership of visual arts organisations: Film and Video Umbrella, The Amelia Scott, Cement Fields, FLAMIN, Forma, and Three Rivers. 

The Open Road reimagines the age-old tale of a journey taken, weaving together new stories by three contemporary artists. The works are loosely inspired by The Canterbury Tales, drawing from a disparate cast of characters to recount competing stories in a patchwork of styles. David Blandy, Amaal Said and Sam Williams each draw on storytelling traditions to give fresh perspectives on their journeys, on foot, by sea and through time. The newly commissioned works meander through reflections on migration and belonging, untold histories and non-human connections. A smashed mobile phone decries its extraction, removed, returned and dug out from the earth. A daughter recounts a meandering walk with her mother, connecting with the earth underfoot and a land far away. A manifestation of an eel acts as a vessel for both human and non-human experiences in the Kent wetlands.

Photo: Amaal Said, Open Country, 2025. Film still. Courtesy of the artist.