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British Women Documentary Filmmakers 1930-1955

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Wolfson Theatre

New Academic Building

London School of Economics

London

WC2A 2AE

United Kingdom

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As the work of filmmakers including Jill Craigie, Kay Mander and Marion Grierson testify, women played a significant part in the early decades of British documentary and informational filmmaking. Women were a vital part of the war effort and this was apparent in the films made by the Ministry of Information as well as newsreels, documentaries and dramas. Women also worked behind the camera as directors, editors and scriptwriters on instructional and propaganda films. Yet much early British documentary history on Grierson and the Documentary Movement tends to elide the ways in which non-canonical works engage differently with questions of the nation, gender, class and identity and the ways in which form and content are linked to context of production.

This one-day symposium seeks to deepen understanding of women’s creative presence in British documentary filmmaking. Papers explore individual films and filmmakers, as well as the industrial, social and historical contexts in which they worked. While WWII has been foregrounded in accounts of women’s participation in British film production, the day will consider a longer historical period including the innovations in documentary of the 1930s and the changing industry of the post-war period.

This event is supported by the Arts and Humanities Research Council


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Location

Wolfson Theatre

New Academic Building

London School of Economics

London

WC2A 2AE

United Kingdom

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