Carpet Pages III: Pixels MEET THE ARTISTS Private View Online Event 2

Tues, 3 Nov 2020, 6-9pm GMT via Zoom

Free, ticketed

All welcome!

SCHEDULE

6.00-6.10 Curator's welcome

6.10-6.20 Cong Yunfeng

6.20-6.30 Q&A

6.30-6.40 Lisa DeLong

6.40-6.50 Q&A

6.50-7.00 Esen Kaya

7.00-7.10 Q&A

7.10-7.20 Maaida Noor

7.20-7.30 Q&A

7.30-7.40 Aya Haidar

7.40-7.50 Q&A

7.50-8.00 Sara Choudhrey

8.00-8.10 Q&A

8.10-8.20 Sharmina Haq

8.20-8.30 Q&A

8.30-8.40 Richard Henry

8.40-8.50 Q&A

8.50-9.00 Marina Alin, closing remarks from curator

This event will take place on Zoom, a popular online meeting platform. If you don't already use Zoom, you must create a free account and download the Zoom app before we begin, so that you have access to the full range of features. It's free and easy to use.

You can create your free account here.

You will receive the Zoom meeting details, link and joining instructions once you've completed your booking.

http://www.carpetpages.com

This show has been made possible with the support of www.communitymask.co.uk

CARPET PAGES III: PIXELS

Online for our times

Taking pixels and knots as our starting points, in lockdown we break it down into the simplest smallest elements and build it up again. We have time to work out what’s important. We find that certain elements recur and by grace of their repetition they form gorgeous patterns.  This show brings together diverse artists who work with patterns in various ways. They fabricate their works in silence, in solitude, in home studios and share it with the whole world online. It’s a new way of working for our strange and interesting times and this virtual version of Carpet Pages reflects that process; many of the artists will meet each other online here for the very first time.

A pixel is the smallest unit on a screen. It is a sample and contains among other things the basic information needed to build up an image. The more pixels, the higher resolution the image. 

Similarly, a woven carpet can be broken down to its smallest element, a single knot. The more knots, the more complex the rug.

Thence we sprout:

Pixels into digital images and videos. 

Knots into weaves into carpet patterns. 

Pixels proliferate into the spawn swarm of images we are confronted with every time we meet a screen.

Knots are communication, save lives and end lives, record events and mark the passing of time.

There is more to the connections between carpets and computers. Indeed, weaving itself contributed to the rise of the early computers - Peruvian weavers, Jacquard looms, Ada Lovelace, Charles Babbage and zeros and ones. 

We go beyond the binary to investigate the space in between the warp and the weft: the Buddhist spherical button knot enclosing an empty space invites us to consider the endless, cyclical nature of existence; eternal tazhib* illumination patterns dwell in a place outside of time and the very act of drawing geometry calls for musing on the mystical. Geometric and illumination constructions - the backbones of traditional rug making - form the basis of drawings, paintings, textiles, sculptures. Pixels are separated and recombined like alchemical processes by digital magicians. Contemporary artists contemplate the place of art and painting itself in the mass imagery we are flooded with daily in the Anthropocene, finding meaning in patterns amid the noise. Patterns are formed from stories, landscapes, water sources, weaving, kaftans and kimonos, clocks, the rhythm of everyday life. 

We will of course return to physical Carpet Pages shows when it is safe to do so; for now I am grateful that we can reach a global audience through this online offering. 

This show is dedicated to all the artists in lockdown around the world. 

*https://athousandnightsandanight.co.uk/2017/10/11/night-7-the-story-of-the-semi-petrified-prince/

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https://www.vaishaliprazmari.com