Curator's Tour: Very High Frequency
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Curator's Tour: Very High Frequency

By Studio Voltaire

Curator Nicola Wright introduces Hilary Lloyd’s immersive installation, exploring Dennis Potter’s legacy, themes and impact on television.

Date and time

Location

Studio Voltaire

1A Nelsons Row London SW4 7JR United Kingdom

Good to know

Highlights

  • 45 minutes
  • In person

Refund Policy

Refunds up to 7 days before event

About this event

Nicola Wright, Curator (Exhibitions) leads an introduction to Hilary Lloyd’s Very High Frequency, discussing the context and development of the commission alongside Dennis Potter’s legacy and work for television.

Lloyd’s layered installation combines audiovisual elements with archival materials and performative interludes, staging a non-linear encounter with Potter’s work for and on television. Engaging with the themes, confrontations and atmospheres that defined Potter’s work, the exhibition navigates his explorations of chronic illness, death, sex, power and class.

Constructing an environment that reinterprets Potter’s impact and influences, Lloyd’s exhibition will encompass a broader installation that draws from theatre sets and studios. In an attempt to avoid conventional approaches to dramaturgy and performance, her installation will resist standard notions of narration. Instead, the exhibition will function as a tableau to be encountered, placing the audience within a choreographed experience.

Supported by Kvadrat.

Lead Programme Supporters: Ampersand Foundation and Sadie Coles HQ, London. Supported by a National Lottery Project Grant from Arts Council England and The Studio Voltaire Council. With additional support from Brian Boylan and Raven Row, London.

Studio Voltaire’s 2025-2026 exhibition programme is supported by Cockayne Grants for the Arts.

About Hilary Lloyd

Hilary Lloyd (b. 1964, Halifax) lives and works in London. She has exhibited internationally, with solo exhibitions including: Ok darling, show’s over!, Roland Ross, Kent, England (2024); You want it to be art and I want it to be a magazine, International Centre for Contemporary Culture, San Sebastian (2024); Dog bEar Scarf, Josey, Norwich (2022), Car Park, Sadie Coles HQ, London (2019); Chance Encounters V, Loewe Foundation, Miami (2019); Bar, BAR, Turin (2019); Theatre, Focal Point Gallery, Southend-on-Sea (2017); Awful Girls, Dorich House Museum, Dorich House Fellowship & Dora Volume 1, Kingston (2017); Blaffer Art Museum, Houston (2016); Robot and Balfour, Sadie Coles HQ, London (2015); Museum für Gegenwartskunst, Basel (2012), Artists Space, New York (2011); Raven Row, London (2010); Tramway, Glasgow (2009); Le Consortium, Dijon (2009); Kunstverein München (2006); Waiters, Henry Moore Foundation Contemporary Projects, Venice Biennale (2003); Kino der Dekonstruktion, Frankfurter Kunstverein (2000); and Chisenhale Gallery, London (1999). Lloyd was nominated for the 2011 Turner Prize for her exhibition of 2010 at Raven Row, London.

About Dennis Potter

Dennis Potter (b. 1935–d. 1994) was a journalist, novelist, cultural commentator, broadcaster, producer, director and playwright.

Born in a mining village in the Forest of Dean, Gloucestershire and graduating from Oxford University, he briefly worked as a journalist and entered politics, unsuccessfully standing as a Labour candidate in the 1964 general election. However his most significant cultural and artistic contributions were made within the realm of British television drama, where he authored more than forty single plays, serials, and adaptations.

His notable contributions include many of the BBC's Wednesday Plays and acclaimed series such as Pennies from Heaven (1978). The latter, conceived as a 'television novel', marked a pivotal moment in Potter’s career, as one of the earliest instances in which his characters engaged in stylised performances of popular songs—lip-synching and dancing to original 1930s recordings.

Although Potter consistently denied that his work was autobiographical, many of his dramas were informed by personal experiences. Perhaps most notably, his lifelong struggle with psoriatic arthritis was reflected in The Singing Detective, in which the protagonist’s illness closely parallels Potter’s own condition.

Prior to his death in 1994, he completed two final scripts, Karaoke and ColdLazarus. Remarkably, he successfully proposed that the productions be a joint venture between rival broadcasters, the BBC and Channel 4 – marking a landmark collaboration in British television history.

Access

If you have any questions or need assistance with your visit, please feel welcome to contact us at +44 (0) 20 7622 1294 or info@studiovoltaire.org. Read Studio Voltaire's full access information here.

Image credit

Credit Sarah Rainer

Organized by

Studio Voltaire is one of the UK’s leading not–for–profit arts organisations. Placing great emphasis on risk–taking and experimentation, our pioneering programmes of exhibitions, collaborative projects, artist development, live events and offsite commissions have gained an international reputation.

Free
Sep 20 · 11:00 AM GMT+1