This workshop will help you through the difficult process of editing and sequencing your photographs. Although this is a key component of any good photo project, it’s a difficult process, fraught with tough decisions, often made easier with an outsiders eye. In this workshop we will pore over your work, and you will get constructive feedback from the tutor, and your classmates, and leave with a better idea of how to take your photo project to the next level.

Bring your own images (10-30) but please also just come along, listen and take part. A big part of this workshop is teaching the method for you to continue to use yourself in the future.

The workshop is run by Daniel Wheeler and George Miles

About Daniel Wheeler

Daniel is a Photographer, Darkroom practitioner and teacher based out of Derby. He has worked on several photography commissions, working within communities in the Midlands and published his first book of photography, ‘Normanton’ in 2015. ‘Normanton’ is was exhibited within the community at Pear Tree library in Normanton and was selected to be part of the ‘East Meets West’ exhibition for FORMAT International photography festival in Derby and GRAIN Birmingham in 2016. Daniels project ‘In Transit’ has been featured in numerous publications and documents intimate moments on tour with his band across Europe.

He is currently working on two long form bodies of work which focus on communities within the U.K and Ireland. He is also the proprietor of The Photo Parlour in Nottingham; a facility for photographers which provides film processing, hand printing, darkroom hire, workshops, studio space, gallery space and acts as a community hub for photographers in the Midlands.

Daniel also regularly works as a lecturer at Nottingham Trent University and talks at universities and colleges across the country.

George Miles

George is a part time lecturer, he teaches visual practice in year one and two.

He is interested in working with graduate or post-graduate students that wish to engage with the process of making pictures to ask questions about the world, themselves, and the medium itself.

George’s work examines how the land is used, viewed, and mediated; both physically and through its representations. His practice sits within the photographic tradition of ‘the everyday’ attempting to find the sublime in the ordinary, in the hope that by doing so it may help people to value the world a little more. He is currently intrigued with how this process is affected by the way pictures are made and consumed on mobile platforms, and how it differs from the printed page or exhibition.