Ice Shock
The year is 2010. An Icelandic volcano has thrown an ash cloud into the atmosphere and, across the world, planes have stopped flying. Leah and Niall, twenty-somethings in love, find themselves strangely restless, and set out on different but parallel paths; Niall travels to a polar station in Antarctica, where the strange, lonely beauty of the ice mirrors the fragility of his hopes, while Leah studies writing in England, surrounded by tradition yet struggling to find her place.
Separated by thousands of miles, but determined to stay connected, they learn that true communication can be as fragile as the melting landscape between them. Ice Shock is a love story that asks what it means to stay close even when we are far apart – and how love can endure, in a world changing catastrophically by the day.
Elleke Boehmer
Elleke Boehmer is the author of the novels Screens against the Sky (shortlisted David Higham Prize, 1990), Bloodlines (shortlisted SANLAM prize, 2000), Nile Baby (2008) and The Shouting in the Dark (2015; co-winner Olive Schreiner prize, 2015–18), as well as the short-story collection Sharmilla and Other Portraits (2010). To the Volcano, her second short story collection, appeared in 2019. The story ‘Supermarket Love’ was commended for the ABR Elizabeth Jolley Prize. Her fiction probes the delicate interface between our private and public selves in haunting and unforgettable ways.
She is also Professor of World Literature in English at the University of Oxford, and a founding figure in the field of postcolonial literature. Her edition of Baden-Powell’s Scouting for Boys was a 2004 summer bestseller, and her acclaimed biography of Nelson Mandela (2008) has been translated into Arabic, Malaysian, Thai, Kurdish, Portuguese and Brazilian Portuguese. She has published several other books including Stories of Women (2005), the anthology Empire Writing (1998), Indian Arrivals: Networks of British Empire (2015), and Postcolonial Poetics (2018).
Lara Feigel
Professor Lara Feigel works on twentieth-century literature and culture. She is both a literary critic and a cultural historian and she is invested in finding new ways to represent the complex relationships between life, literature and history. As a result, much of her work crosses genres and disciplines. Her first monograph entitled Literature, Cinema, Politics, 1930-1945, Reading Between the Frames (Edinburgh University Press, 2010) tells the story that unfolded between 1920s cinematic modernism and postwar cinematic neorealism, exploring the rise and fall of a distinct genre of politically committed, cinematic literature.
