Ghost Cinema features a series of films, performances and talks by artists and academics inspired by the South Hackney Picture Palace, which opened in 1913 and closed after WWII bomb damage in 1941, eventually being demolished and replaced by the Frampton Park Estate. The event is part of a wider sociologically and historically themed exhibition entitled Speedway, which takes its starting point from the make-do-and-mend speedway track that Regent Studios (where Transition Gallery is currently situated) was built upon.

In recent years artists have been priced out of east London just as the once ubiquitous cinemas have started to return, catering to a new wave of young incomers hungry for shared experiences. Film can be a powerful force and its pervasive influence has the ability to infiltrate everyday life. Ghost Cinema will examine how this ghostly medium continues to inspire and trigger memory.

Ticket holders will receive a copy of the Urban Ghosts issue of Garageland magazine, lunch, refreshments and post-event drinks.

Participants

Katherine Tulloh, It Will Soon Be Dark
A film meditating on the phantom picture house, which imagines what became of the myriad stories that poured out of the cinema and what ghostly traces of stardust might still remain beneath the concrete.

Sophia Satchell Baeza, A Little Place off the Portobello Road: Walking through West London’s Alternative Film History
Taking Graham Greene’s short story A Little Place Off the Edgware Road (1935) as a starting point, this film explores, through the process of walking, an alternative cinematic history of the Portobello Road.

Hollie Price, Dreaming of Home: Domestic Transformations in Postwar British Cinema
British films of the late 1940s often endow the home with magical qualities. This talk explores how these onscreen dream homes combine Hollywood escapism with English restraint.

Alex Pearl, The Ghost from the Machine
Alex the Great and Powerful will give a brief demonstration of the Pepper’s Ghost Illusion, a proto-cinematic trick used to materialise a ghost on stage.

Cathy Lomax, Ghost Cinema: A Picture Palace for the People
This video essay spans a century looking at the beginning, middle and end of a story about a cinema, an area and an audience.

Matthew Harle, Cinephilia and Collectors at the Cinema Museum: Archives of the Everyday
The Cinema Museum and the enormity and scope of their collections are the focus of this talk, along with a brief of the Cinephilia and Collecting project.

Luci Eyers, Addressing Dissonance
Taking a Music Hall drawing by Sickert as a starting point, Addressing Dissonance imagines the band pit in The South Hackney Picture Palace.

Lisa Duffy, Ghostly imprints: The persistence of dream ballets in memory
This talk examines filmic dream sequences, which grant access to the subconscious thoughts of characters, creating aberrant moments, which become significant in a viewer's mind.

Rosemary Cronin, The End
Using a Bell & Howell projector, this collaged film aims to conjure the dark reverie of The End, complete with a disembodied voice.

Sarah Kathryn Cleaver & Rauwanne Northcott, Spectre at the Movies: The still photograph in cinema
A video essay exploring the unsettling psychological experience of viewing still photographs on the cinematic screen.

Asher Charman, Reviving a lost picture palace: a brief history of Hackney's Castle Electric Theatre
A talk about The Castle Cinema in Hackney which ran from 1913 to 1958, then becoming a bingo hall, a warehouse and a snooker hall. It was reopened as a cinema by Asher Charman and Danielle Swift in 2017.

More info here