ICON Textile Group Forum 2017
The ticket includes attendance at a full day of 10-20 minute presentations plus posters, lunch and other refreshments including an early evening drinks reception, exclusive free access to The Fashion Museum from 18.30 - 20.30, and postprints (electronic version).
Early booking is advised. All attendees must bring their Eventbrite confirmation on the day and all students must bring their student ID card.
Forum ticket holders travelling on GWR will be able to benefit from the discounted conference fares offered by the venue using this link: http://tickets.gwr.com/gw/en/JourneyPlanning/MixingDeck using Bath Spa Conf as the destination, or via the GWR website (Conferences and accommodation section, booking for Bath). Travel tickets will need to be collected or posted, and delegates will need their Eventbrite ticket as proof of attendance if asked for by train staff.
9.30 - 10.45 Registration
10.15 - 10.45 ICON Textile Group AGM (to include overview of Wet Cleaning Symposium, held at St Fagans on 3rd December 2016).
10.45 - 17.30 Forum presentations and posters (lunch and afternoon tea included)
Presentations on the theme of: 'From boxes to buildings: creative solutions for the storage of textiles and dress’.
Maintaining collections storage standards while achieving cost savings. David Singleton, Preventive Conservator, Bristol Museums
A National Trust house manager’s perspective on open stores. Eilidh Auckland, House Manager, Dyrham Park
How to prepare and store efficiently more than 400 printed handkerchiefs. Melina Plottu, Textile Conservator, Museum of London
Conservation and storage for a 17th century beadwork box. Hannah Sutherland, Tapestry Conservation Intern, Historic Royal Palaces
A history of the future - storing a popular culture collection. Alison Draper, Conservator, Manchester Metropolitan University Special Collections
Presentation on behalf of STASH (Storage Techniques for Art, Science & History Collections). Sarah Glenn, Textile Conservator, Victoria & Albert Museum
Presentations on other themes.
The powers of microfibre cloth. Heather Porter, Senior Conservator, Upholstery, National Trust, Knole and Frances Hartog, Senior Textile Conservator, Victoria & Albert Museum
The Fosshape Revolution. Rachael Lee, Textile Conservation Display Specialist, Victoria & Albert Museum
The principles of creating a magnetic mounting system: the physics every conservator needs to know. Gwen Spicer, Head Conservator, Spicer Art Conservation
Pre-Reformation ecclesiastical fragments at Hardwick Hall. May Berkouwer, May Berkouwer Textile Conservation
Letting Go: the Management of Three Large Textile Conservation Projects. Lynn McClean, Principal Textile Conservation, National Museums Scotland
The Benefit of Hindsight - Lessons learnt from delivering a capital project. Ann French, Collections Care Manager/Conservator (Textiles), the Whitworth, The University of Manchester
‘No Perspex’:102 shoes, 2 months and a shoe designer with a very clear vision. Jessica Burgess and Janie Lightfoot, Janie Lightfoot Conservation
17.30 Drinks reception and access to Forum posters
18.30 - 20.30 Exclusive access to The Fashion Museum, Assembly Rooms.
Posters accepted so far…
A mummy shroud revisited. Irene Kirkwood, Textile Conservator, National Museums Scotland
A coat of many colours: conserving an 18th century technicolour dream coat. Jamie Robinson, ICON/HLF Intern, The Bowes Museum 2015-2016
Beyond conservation: storage projects in private practice. Maria Pardos Mansilla, May Berkouwer Textile Conservation
Changing shape: the re-figuring of a mantua. Miriam McLeod, Textile Conservator, National Museums Scotland
2016-17 MPhil Textile Conservation dissertation topics: an introduction. Current MPhil students, Centre for Textile Conservation, University of Glasgow.
Packing, moving and storing the Snowshill Collection. Michele Bartlett, Conservator, National Trust Consultancy Conservation Specialists, South West
The conservation of two degraded silk colours from 1777-79. Liz Rose, Textile Conservator, British Library
More posters are needed so please do consider creating one if you are or have recently been involved in a project of interest to your fellow members. Abstracts for posters of up to 200 words should be sent to Alison Lister email@example.com Deadline 24th February.
If you are thinking of making a weekend of it there is plenty to see and do in Bath. You can find information on the Visit Bath website: https://visitbath.co.uk