Mae Andrea Tompa (a anwyd yn 1971) yn nofelydd a beirniad theatr sydd wedi ennill sawl gwobr, mae’n gyn-olygydd cylchgrawn Színház/Theatre, ac yn aelod o’r Academi Lenyddol a Chelfyddydau Széchenyi fawreddog. Mae hi hefyd yn academydd sydd wedi cael llawer o’i gwaith wedi’i gyhoeddi. Mae Andrea wedi'i lleoli yn yr Adran Theatr Hwngari ym Mhrifysgol Babeş-Bolyai yn Cluj, Romania. Andrea yw awdur y nofelau A hóhér háza/The Hangman's House (cyfieithwyd i'r Saesneg gan Bernard Adams, Seagull Books, 2021 – cyrhaeddodd y rhestr ferar gyfer Gwobr Weidenfeld Rhydychen), Fejtől és lábtól/Top to Tail (2013), Omerta (2017), cyfieithwyd i'r Almaeneg gan Terezia Mora, Suhrkamp (2022) ac mae cyfieithiad i'r Saesneg gan Bernard Adams, Seagull Books, ar ddod yn 2024), Haza/Home (2020, cyfieithwyd gan Jozefina Komporaly, Istros Books, 2024) a Sokszor nem halunk meg/Often We Don't Die (2023). Mae hi'n byw ac yn gweithio yn Budapest. Mae Andrea ymhlith yr awduron a wahoddwyd ar gyfer Gŵyl Lenyddiaeth Ewrop a gynhelir yn y Llyfrgell Brydeinig, 18-19 Mai, 2024.

Mae Jozefina Komporaly yn academydd ac yn gyfieithydd o Hwngari a Rwmania, sydd wedi’i lleoli yn Llundain. Hi yw golygydd a chyd-gyfieithydd y casgliadau How to Explain the History of Communism to Mental Patients and Other Plays (Seagull, 2015), Barrack Dramaturgy András Visky (Intellect, 2017) a Plays from Romania: Dramaturgies of Subversion (Bloomsbury, 2021), ac awdur nifer o gyhoeddiadau ar gyfieithu, addasu a theatr gan gynnwys Radical Revival as Adaptation (Palgrave, 2017). Ymddangosodd ei chyfieithiadau yn Asymptote, The Baffler, Columbia Journal, Los Angeles Review, Modern Poetry in Translation, Words without Borders, World Literature Today, ac fe'u cynhyrchwyd gan Foreign Affairs, Trap Door, Theatre Y, Trafika Europe. Ymhlith ei chyhoeddiadau diweddar mae Mr K Released gan Matéi Visniec (a gyrhaeddodd rownd derfynol Gwobr Llenyddiaeth EBRD 2021), Story of a Stammer gan Gábor Vida (Seagull Books, 2022), MyLifeandMyLife gan Melinda Mátyus (Ugly Duckling Presse, 2023). Derbyniodd ei chyfieithiad o Home gan Andrea Tompa (Istros Books, 2024) grant PEN Translates. Mae hi'n aelod o Gymdeithas Cyfieithwyr y Deyrnas Unedig. Gwefan:

Mae Márta Minier yn Athro Cyswllt Theatr a Drama Gyfryngol ym Mhrifysgol De Cymru ac yn gyd-gyfarwyddwr y Ganolfan Astudio’r Cyfryngau a Diwylliant mewn Cenhedloedd Bach. Mae ei diddordebau ymchwil yn cynnwys addasu, cyfieithu, dramäwriaeth, Shakespeare (addasiadau o waith Shakespeare yn benodol), drama fywgraffyddol, a diwylliannau Canol Dwyrain Ewrop. Mae ei chyhoeddiadau yn cynnwys Adaptation, Intermediality and the British Celebrity Biopic (2014, Ashgate) a olygwyd ar y cyd, Shakespeare and Tourism: Place, Memory, Participation (2019, E.S.I.), Hamlet Translations: Prisms of Cultural Encounters across the Globe (2021, Legenda) yn ogystal â rhifynnau arbennig ar gyfer New Readings (2012), Multicultural Shakespeare: Translation, Appropriation and Performance (2017), a Textus (2018). Mae disgwyl i'w chyfrol ddiweddaraf o'r enw Local/Global Shakespeare and Advertising (Routledge), a olygwyd ar y cyd, gael ei chyhoeddi eleni. Mae Márta hefyd yn gyd-olygydd y Journal of Adaptation in Film & Performance.

---

Andrea Tompa (born 1971) is a multi-award-winning Hungarian novelist and theatre critic, former editor of Színház/Theatre magazine and a member of the prestigious Széchenyi Literary and Arts Academy. She is also a widely published academic, based in the Hungarian Theatre Department at Babeş-Bolyai University in Cluj, Romania. Tompa is author of the novels A hóhér háza/The Hangman’s House (translated into English by Bernard Adams, Seagull Books, 2021 - shortlisted for the Oxford-Weidenfeld Prize), Fejtől és lábtól/Top to Tail (2013), Omerta (2017, translated into German by Terezia Mora, Suhrkamp, 2022 and into English by Bernard Adams, Seagull Books, forthcoming 2024), Haza/Home (2020, translated by Jozefina Komporaly, Istros Books, 2024) and Sokszor nem halunk meg/Often We Don’t Die (2023). She lives and works in Budapest. Tompa is among the authors invited for the European Literature Festival taking place at the British Library, 18-19 May, 2024. http://europe.org.uk/magazine/european-writers-festival-2-programme-and-presenters/

Jozefina Komporaly is a London-based academic and translator from Hungarian and Romanian. She is editor and co-translator of the collections How to Explain the History of Communism to Mental Patients and Other Plays (Seagull, 2015), András Visky's Barrack Dramaturgy (Intellect, 2017) and Plays from Romania: Dramaturgies of Subversion (Bloomsbury, 2021), and author of numerous publications on translation, adaptation and theatre including Radical Revival as Adaptation (Palgrave, 2017). Her translations appeared in Asymptote, The Baffler, Columbia Journal, Los Angeles Review, Modern Poetry in Translation, Words without Borders, World Literature Today, and were produced by Foreign Affairs, Trap Door, Theatre Y, Trafika Europe. Recent publications include Mr K Released by Matéi Visniec (finalist for the 2021 EBRD Literature Prize), Story of a Stammer by Gábor Vida (Seagull Books, 2022), MyLifeandMyLife by Melinda Mátyus (Ugly Duckling Presse, 2023). Her translation Home by Andrea Tompa (Istros Books, 2024) was the recipient of a PEN Translates Grant. She is a member of the UK Translators Association. Website: https://jozefinakomporaly.com/

http://www.linkedin.com/in/jozefina-komporaly

Márta Minier is Associate Professor of Theatre and Media Drama at the University of South Wales and co-director of the Centre for the Study of Media and Culture in Small Nations. Her research interests span adaptation, translation, dramaturgy, Shakespeare (the reworkings of Shakespeare in particular), the biopic and biographical drama, and the cultures of East-Central Europe. Her publications include the co-edited Adaptation, Intermediality and the British Celebrity Biopic (2014, Ashgate), Shakespeare and Tourism: Place, Memory, Participation (2019, E.S.I.), Hamlet Translations: Prisms of Cultural Encounters across the Globe (2021, Legenda) as well as special issues for New Readings (2012), Multicultural Shakespeare: Translation, Appropriation and Performance (2017), and Textus (2018). Her latest co-edited volume entitled Local/Global Shakespeare and Advertising (Routledge) is due to come out this year. Márta is also joint editor of the Journal of Adaptation in Film & Performance.

In-Between Languages, Cultures and Genres