Recorded Talk: A History of Gardens 3 - Poetry and Prose

For those who missed the third series of A History of Gardens, which originally ran in November 2024, this is a chance to access the recordings of the talks.

You can buy a ticket for the whole recorded series, or for any of the individual sessions. The recordings will all be available from 19th Aug to 30th Sep 2025. You will also receive the short reading list produced for the original run of the series.

A History of Gardens from the Gardens Trust is suitable for anyone curious about gardens and their stories – whether absolute beginners or those with some garden history knowledge. It aims to help participants recognise important eras, themes and styles in mainly British garden history from the earliest times to today, grasp something of the social, economic, political and international contexts in which gardens have been created and find greater pleasure in visiting historic gardens.

This introductory series can be followed by the ‘Building the C18th Garden’ talks that we’re running from late October, for those who would like to know more.

We will be offering access to recordings of talks from the subsequent series of A History of Gardens over the next few months.

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A HISTORY OF GARDENS 3: 18th-CENTURY GARDENS

The Georgian era is often seen as the pinnacle of garden design in England, as the formal, baroque style of the late 17th century gave way to the looser, more naturalistic designs of what became known as the English Landscape Movement. It was a style that spread around the world.

This series will trace the development of the landscape style, beginning with early examples full of decorative garden buildings and classical allusions, and then the impact of England’s most famous landscape designer, Lancelot ‘Capability’ Brown, who laid out vast parklands with rolling lawns, serpentine lakes and clumps of trees. As we’ll see, the century ended with a clash between the wild, rugged aesthetic of the Picturesque and the start of a return to formality and ornamentation in garden-making.

As well as examining individual gardens and designers, we will explore some of the myriad social and economic influences at work on Georgian design. These included political upheaval, changing land use, foreign trade and the lure of exoticism, alongside the impact of the European ‘Grand Tour’ undertaken by wealthy men, which instilled an admiration for classical art and poetry, and for French and Italian landscape painting.

Please scroll down below the links to see the full details of each talk.

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This ticket is for this individual talk and costs £8, and you may purchase tickets for other individual sessions via the links below, or you may purchase a ticket for the series of 5 available talks in our History of Gardens 3 Course at £35 via the link here. (Gardens Trust members £6 each or all 5 for £26.25)

Tickets will be released on 19th Aug, and the recordings will be available to view until 30th September 2025. The Zoom links will be in the confirmation email sent directly after booking, if you do not receive that email, please contact us.

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Recording 1: Early Landscape Gardens with Oliver Cox. First in a series of 5 online lectures, £8 each or all 5 for £35 (Gardens Trust members £6 each or all 5 for £26.25)

Recording 2: Poetry and Prose with Judith Hawley. Second in a series of 5 online lectures, £8 each or all 5 for £35 (Gardens Trust members £6 each or all 5 for £26.25)

Recording 3: Lancelot Brown: Assessing the ‘Capabilities’ with Laura Mayer. Third in a series of 5 online lectures, £8 each or all 5 for £35 (Gardens Trust members £6 each or all 5 for £26.25)

Recording 4: Chinoiserie: Tea, Trade Routes & a Taste for the ‘Exotic’ with Laura Mayer. Fourth in a series of 5 online lectures, £8 each or all 5 for £35 (Gardens Trust members £6 each or all 5 for £26.25)

Recording 5: Humphry Repton: from Picturesque provocateur to Regency ornamentalist with Laura Mayer. Last in a series of 5 online lectures, £8 each or all 5 for £35 (Gardens Trust members £6 each or all 5 for £26.25)

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Recording 2: Poetry and Prose with Judith Hawley

Gardens are composed of earth, air, water and living things but they are sometimes composed by writers; this is particularly the case in the eighteenth century. Joseph Addison and Alexander Pope fostered the adoption of classical ideals of gardening derived from the writings of Homer, Virgil, Cicero and Horace. The gardens at Stowe, Stourhead, Cirencester and Rousham Park as well as Pope’s more modest garden in Twickenham attempt to embody classical ideals of arcadian simplicity, virtuous self-sufficiency and temporary retirement from the busy world. The influences were not only classical: eighteenth-century gardens proudly foregrounded British traditions in the form of Druidical and Gothic elements. Literature also features in the placing of quotations around gardens. As well as considering famous and great gardens, Judith will also briefly touch on some of the more eccentric ones such as those created by William Stukeley, Jonathan Tyers and Francis Dashwood.

Judith Hawley is Professor of Eighteenth-Century Literature at Royal Holloway, University of London. She has published and broadcast on a range of eighteenth-century literary and cultural topics. As Trustee of the Pope’s Grotto Preservation Trust and The London Luminaries she is involved in bringing the heritage of West London to a wider audience.

Image: Nathaniel Parr, after Pieter Andreas Rysbrack, An Exact Draught and View of Mr Pope’s House at Twickenham, 1735, ©London Borough of Richmond upon Thames Art Collection

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We’re grateful to Wooden Books, sponsor of the first five series of A History of Gardens.

Wooden Books, the world’s leading Liberal Arts and Sciences pocket series.

From Mazes & Labyrinths to Mathematical Functions, from Mythological Animals to the Miracle of Trees. From Portals, to Proportion, to Poisonous Plants and Poetic Metre & Form. Wooden Books are beautifully illustrated on every page. Learn about Li. Slip into Shadows. Get a grip on the Golden Section. Small books, big ideas.

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