Sara Lee in conversation with Meryl Ainslie

Sara Lee’s images are a response to the ephemeral nature of landscape and our profound relationship with it. The expanse of the landscape has no bearing to assess distance. Each is a desert of infinity where one is pulled into the nuance of surface.

Lee predominantly works with drawing and print, including pastel and woodblock in the ukiyo-e tradition. Her practice involves working from site-specific landscapes, followed by extended studio-based work.