In the spirit of 70s radical film this workshop explores structural-materialist film through theory and practice. Work with a variety of media to explore mark making and repetition directly onto film. Make loops, combine text, image, multiple gauges and fragments from mixed sources; experiment with different mechanical devices of typewriters, sewing machines and bicycles as with Reel Time (Annabel Nicolson) and Newsprint (Guy Sherwin).

This workshop ties in with the Bristol Radical Film Festival event ‘Trace and Labour in Structural/ Materialism: Then and Now’ on Sunday 11 October.

No Previous experience required.

Suggested donation £25 (£10 concession)