Talk Voice 2025: Anne Whitaker & Jenny Grober

Talk Voice 2025: Anne Whitaker & Jenny Grober

By British Voice Association

Verse English Rhythms and Syntactical Embodiment (VERSE): Applying findings from English literature to the work of voice coaches.

Date and time

Location

Online

Good to know

Highlights

  • 1 hour, 45 minutes
  • Online

Refund Policy

No Refunds

About this event

Arts • Other

Verse English Rhythms and Syntactical Embodiment (VERSE): Applying findings from English literature to the work of voice coaches. 

Jenny Grober, PhD Candidate KCL, English Literature by Research 

Anne Whitaker, Lecturer in Voice, Royal Central School for Speech and Drama

Online

23 September 19:00 to 20:45

This collaborative and interdisciplinary approach builds on the wealth of resources available for voice coaches and actors, but grounds it in the work of English Literature experts and cognitive musicology. This interdisciplinary approach allows us to address some of the issues with contemporary drama training including reductive cliches (iambic pentameter as the heartbeat or breath), overreliance on ‘image’ work (as opposed to aural), and the conflation of beat prosody and accentual stress. 

 

We want to develop a teaching method, for use in both drama and English classrooms, that first prioritizes students’ sense-making and views rhythm subsequently as an interaction between the speaker’s syntactical ‘sense’ and the verse’s metre. Building on work by Derek Attridge, Robert Stagg, and recent work in cognitive musicology, we will encourage students and actors to explore their unique and diverse linguistic expressions of syntax. Framing syntactical stress and accentual stress as independent phenomena, we will then examine how these decisions interact with the formal accentual ‘verse’ through an experimental exercise engaging with polyrhythms. 

 

Cognitive linguists Hamutal Krenier and Zohar Eviatar have positioned prosody as an embodied measure of syntax. With an understanding that verse and syntax are inextricably linked, we propose to explore a workshop process focused on the prosodic elements of pitch and rhythm as an embodied means of sense-making.

TALK VOICE is an online lecture series about the speaking voice - how it works and what to do when it doesn’t: how it communicates, how to take care of it, how to enhance its performance and effectiveness. The Talk Voice series offers a range of presenters - providers of specialist therapy, treatment and surgery, vocal coaches, professional voice users and those who’ve suffered voice issues. Our speakers so far have included Mark Mardell, Polly Evans, Dr. Nikos Spantideas, Dr. Tom Harris, Barbara Houseman, D’Arcy Smith and many more."

Anne Whitaker (she/her) works as a voice coach professionally and in training programmes at The Royal Central School for Speech and Drama, Mountview, and The Globe. Her research specialism is in prosody, the musicality of language. Her work with Beatrice Szczepek Reed, King’s College, will be published through Routledge as a workbook for actors called The Responsive Voice. Anne also works on prosody in verse text with PhD Candidate Jenny Grober, King's College/Shakespeare Centre London. Recent theatre and film credits include Drops of God (Apple TV), Talamasca (AMC), Stranger Things: The First Shadow (Phoenix Theatre), Matilda (Cambridge Theatre), Shooting Hedda Gabler (Rose Theatre), We Were the Lucky Ones (Hulu), and Wheel of Time (Amazon).

Jenny Grober (she/her) is a PhD Candidate at King’s College London, writing on the impact of the scientific revolution on changing verse forms across the seventeenth century. She received an MPhil in Medieval and Renaissance Literature from Cambridge in 2022 and a BA in Theatre from UC, San Diego in 2016. She is interested in the intersection of theatre, cognitive history, the history of science, and early modern prosody. She is the artistic director of Encounters Theatre Company and has worked as a theatre director and educator since 2016 specializing in immersive adaptations of Shakespeare’s plays. Her resume includes work at Five Towns College, Santa Cruz Shakespeare, Hamlet Isn’t Dead, Barefoot Shakespeare

Company, Company of Fools, La Jolla Playhouse, and Cherry Lane Theatre. She is also the director of The King is Dead, a short film written by Gabriel Cruz.

Cancellation policy for a BVA event

In the event an applicant cancels their place at a BVA course or conference, they are entitled to the following refund:

  • 4 weeks or more = 90% refund
  • Between 4 -1 weeks = 25% refund
  • From 1 week to the day of event = no refund (under any circumstances, including illness)

Online: The BVA is not responsible for Internet speed or any other connection issues you may encounter. We do not offer refunds for bandwidth, connection or latency issues, these should be taken up with your Internet Service Provider.

Should the BVA cancel a course, a full refund will be offered.

Frequently asked questions

Will I get access to the online recording after the event?

All ticket prices include subsequent receipt of a Zoom link to access the online recordings of the talk(s) paid for.

Organised by

British Voice Association

Followers

--

Events

--

Hosting

--

70% off applied
From £7.50
Sep 23 · 11:00 PDT