Workshop: Anti-Monumentality and the Afterlives of 'Land Art' in Britain

Seeking to understand the afterlives of ‘land art’ – and the contentious nature of the label – this symposium examines the approaches, techniques, materials, and modes of documentation associated with the movement, and the ways it continues to inform contemporary art today.

This event is programmed to coincide with Passing Strange: British Land Art Through Time at Henry Moore Institute.

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Main image: Anya Gallaccio, ‘Six Dozen Red Roses’ 1992.
© Anya Gallaccio. All Rights Reserved, DACS 2025. Courtesy Leeds Museums and Galleries (Leeds Art Gallery). Photo: Norman Taylor.