More details are slowly falling in
Join us for a performance fundraiser for LADA with Tim Etchells, Rosana Cade and Angharad Davies.
For this one-off event, artist Tim Etchells invites performer Rosana Cade and musician Angharad Davies to join him in an encounter working with text loop fragments and violin improvisation. Drawing on Etchells’ practice in which language distorts and transforms through repetition and in dialogue with sound elements, More details are slowly falling in is a collaborative experiment in which three unique artists bring their considerable individual experience and perspectives to play, inventing and exploring sonic material together.
The starting point for the performance is a set of text fragments taken from Etchells’ notebook – overheard comments, puzzling images and questions – which take their place in layers of voice and violin in compositions where texture, energy and musicality are as important as semantics.
Presented in The Study Room, More details are slowly falling in is a donate-what-you-can event for LADA.
Thanks to LADA's Patron Tim Etchells, the proceeds from this event go to support LADA's future creative projects. As part of our ongoing commitment to removing economic barriers to access and to securing a financial future for the organisation, we are trialling "donate-what-you-can" alongside our "pay-what-you-can" events. Your donation means more events like this can be delivered as part of LADA's annual programme.
Join us for a performance fundraiser for LADA with Tim Etchells, Rosana Cade and Angharad Davies.
For this one-off event, artist Tim Etchells invites performer Rosana Cade and musician Angharad Davies to join him in an encounter working with text loop fragments and violin improvisation. Drawing on Etchells’ practice in which language distorts and transforms through repetition and in dialogue with sound elements, More details are slowly falling in is a collaborative experiment in which three unique artists bring their considerable individual experience and perspectives to play, inventing and exploring sonic material together.
The starting point for the performance is a set of text fragments taken from Etchells’ notebook – overheard comments, puzzling images and questions – which take their place in layers of voice and violin in compositions where texture, energy and musicality are as important as semantics.
Presented in The Study Room, More details are slowly falling in is a donate-what-you-can event for LADA.
Thanks to LADA's Patron Tim Etchells, the proceeds from this event go to support LADA's future creative projects. As part of our ongoing commitment to removing economic barriers to access and to securing a financial future for the organisation, we are trialling "donate-what-you-can" alongside our "pay-what-you-can" events. Your donation means more events like this can be delivered as part of LADA's annual programme.
Bios:
Rosana Cade (they / them) is an artist based in Glasgow, working across experimental theatre, live art, queer cabaret, film, children’s performance, site responsive and socially engaged practices. The form of their work emerges in relation to the context or inquiry they are dealing with. They enjoy experimenting with audience perspective and are well known for some of their intimate 1-on-1 performance work, such as Walking:Holding, which has been touring the world since 2011 to over 40 locations.
They are one half of Cade & MacAskill, and regularly collaborate with Tim Spooner and Yas Clarke, with whom they recently created their multi award-winning show The Making of Pinocchio.
Rosana’s work has been shown across Europe, North America and Australia to a range of venues and organisations such as Festival D'Automne in Paris, Gessnerrallee in Zurich, Battersea Arts Centre in London, Teatro Maria Matos in Lisbon, Kampnagel in Hamburg, Tanzquartier in Vienna, Vier Nul Vier in Gent, FTA in Montreal, and Arts Centre in Melbourne.
Rosana is a co-founder of //BUZZCUT//, a radical performance collective with a strong community focused ethic, who support live art and experimental performance in Glasgow. Rosana regularly collaborates on other artists' projects as a performer, dramaturg or mentor.
Angharad Davies is a Welsh violinist based in London working with free improvisation, compositions and performance. Her approach to sound involves attentive listening and exploring beyond the sonic confines of her instrument, her classical training and performance expectation.Much of her work involves collaboration. She has long standing duos with Tisha Mukarji, Dominic Lash and Lina Lapelyte, and plays with Common Objects, Cranc and Skogen. She has been involved in projects with Tarek Atoui, Tony Conrad, Richard Dawson, Gwenno, Roberta Jean, Jack McNamara, Rie Nakajima, Tim Parkinson, Eliane Radigue, Georgia Ruth and J.G.Thirlwell.Most of her records are released on Another Timbre, but she also has releases on Absinth Records, allthatdust, Confrontrecords, Emanem, Potlatch, NI VU Ni CONNU and winds measure recordings. Her first orchestral piece was commissioned by LCMF in 2019: I ble'r aeth y gwrachod i gyd....? / Where did all the witches go...? She has since been commissioned by Explore Ensemble: Sitting with Emptiness (2022); GBSR duo: Empty Spaces II (2023) and made new pieces for andPlay, Dominic Lash and Heather Roche in 2025.
Tim Etchells is an artist and writer based in the UK, whose work shifts between visual art, fiction and performance. He has worked in a wide variety of contexts, notably as the leader of the world-renowned Sheffield-based performance group Forced Entertainment. Tim’s work has been exhibited and presented in significant institutions all over the world, and projects have been commissioned by Centre Pompidou (Paris), Basel Ballet, Whitechapel Gallery, Festival D’Avignon, NT Gent, Ruhr Triennale, among others. His visual art works are in private and institutional collections around the world, including Tate, The Arts Council Collection and Sprengel art museum (Hannover). He has collaborated with Marino Formenti, Aisha Orazbayeva, Tony Buck (The Necks), Tarek Atoui, Ant Hampton, Vlatka Horvat, Hugo Glendinning, Meg Stuart/Damaged Goods, and Elmgreen & Dragset. His collection of short fiction Endland was published by And Other Stories in 2019 and his book on Forced Entertainment, Certain Fragments, is widely celebrated for its insight into collective performance making.
Monographs on Etchells’ work with Forced Entertainment and on his body of work in installation and neon were published in 2023 by Spector Books in Germany. He is represented by Ebensperger (Berlin and Vienna) and by The Odds Agency (Paris). He is a patron of the Live Art Development Agency.
Access Information
Event information
This is a seated event. Various seating options will be available including fold out chairs, office chairs, a sofa and a bench. All are welcome to join in a relaxed space and are free to come and go as they please. The lighting will be fixed with no sudden changes and microphone amplification will be used. There are disposable masks and hand sanitiser available.
LADA space
The building is wheelchair accessible by lift and provides a wheelchair accessible ground-floor bathroom. All bathrooms are gender inclusive. There is no isolated quiet space inside, but there is a small quiet outdoor area. Some of the art on display in the space includes naked bodies. You can find more information and see photos of the space here. Should you have any particular access requirements, please email willy@thisisliveart.co.uk and we will be happy to offer further support.
Content notes:
Please email info@thisisliveart.co.uk if you would like more information on what to expect.
Angharad Davies. Image credit Simon Ayre
Tim Etchells. Image credit Vlatka Horvat
Rosana Cade. Image credit Christa Holka
Good to know
Highlights
- 2 hours
- In person
Refund Policy
Location
Live Art Development Agency - LADA
The Garrett Centre
117A Mansford Street London E2 6LX
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