Notes on Work | Day 2
Overview

A conference on the intersections between music, literature and labour in postwar Italy

Cambridge Intesa Sanpaolo Annual Conference

Notes on Work. Music, Literature and Labour in Postwar Italy


Day 2: Fri 1 May

Room SG2, Alison Richard Building (Sidgwick Site)


9-11: Panel 1: Bodies at work, voices at work

Rachel Love Giovanna Daffini’s Labour in Song

Rachel Haworth La Biblioteca di Studio Uno (1964) and the Unseen Labourof Bringing Literature and Music to the Italian Small Screen

Silvia Garzarella “Practical Instructions” for Poetry and Dance: Machinic Composition in the Work of Nanni Balestrini and Valeria Magli

Elisa Biagini and Marta Gentilucci Exploring Mines, Collecting Memories


11-11:30: Tea and coffee


11:30-12:30: Keynote Lecture

Alessandro Portelli Roma forestiera. Migrant Music as the New Folk Music of Italy


12:30-14: Lunch


14-15:30: Panel 2: Experimenting within and beyond the factory

Jonathan Impett Music and Class – The Naïve and the Sublime

Olivier Tonneau Music, Work and Transgression :Christophe Dejours and the New Italian Musical School

Ilaria Favretto and Nico Pizzolato Towards an Auditory History of the Factory: Sonic Experience and Struggle on the Shopfloor


15:30-16: Tea & coffee


16-18: Panel 3: Material and Immaterial Archives within and beyond Italy

Salvatore Morra Foreboding in the Song “Tripoli 1969” as Italian Refugees

Jacopo Tomatis The Atlas of Antagonist Discography.Italy: 1958-1980

Ed Emery Understanding my Record Collection:Italian Political Vinyl of the 1960s and ‘70s

Erica Bellia Fabbrica–Foresta: Notes on Work from Nono's Archive


18-18:30: Closing remarks


Festa (details to be confirmed)


The conference can also be attended remotely via Zoom. Please contact the convenors if you wish to receive the Zoom link.

Bursaries of up to £100 are available for unwaged and postgraduate delegates who are not based in Cambridge. Please get in touch by 10 April if you would like to be considered: Erica Bellia (eb692@cam.ac.uk) and Robert Gordon (rscg1@cam.ac.uk)

The event is generously sponsored by the Cambridge Intesa Sanpaolo Fund, ASMI (Association for the Study of Modern Italy) and the Gulbenkian Early-Career Fellowship in the Arts and Humanities at Churchill College. The event is organised in collaboration with OBERT (Observatoire Européen des Récits du Travail / European Observatory of Labour Narratives).

Convenors: Erica Bellia and Robert Gordon (Italian Section, MMLL Faculty, University of Cambridge)

A conference on the intersections between music, literature and labour in postwar Italy

Cambridge Intesa Sanpaolo Annual Conference

Notes on Work. Music, Literature and Labour in Postwar Italy


Day 2: Fri 1 May

Room SG2, Alison Richard Building (Sidgwick Site)


9-11: Panel 1: Bodies at work, voices at work

Rachel Love Giovanna Daffini’s Labour in Song

Rachel Haworth La Biblioteca di Studio Uno (1964) and the Unseen Labourof Bringing Literature and Music to the Italian Small Screen

Silvia Garzarella “Practical Instructions” for Poetry and Dance: Machinic Composition in the Work of Nanni Balestrini and Valeria Magli

Elisa Biagini and Marta Gentilucci Exploring Mines, Collecting Memories


11-11:30: Tea and coffee


11:30-12:30: Keynote Lecture

Alessandro Portelli Roma forestiera. Migrant Music as the New Folk Music of Italy


12:30-14: Lunch


14-15:30: Panel 2: Experimenting within and beyond the factory

Jonathan Impett Music and Class – The Naïve and the Sublime

Olivier Tonneau Music, Work and Transgression :Christophe Dejours and the New Italian Musical School

Ilaria Favretto and Nico Pizzolato Towards an Auditory History of the Factory: Sonic Experience and Struggle on the Shopfloor


15:30-16: Tea & coffee


16-18: Panel 3: Material and Immaterial Archives within and beyond Italy

Salvatore Morra Foreboding in the Song “Tripoli 1969” as Italian Refugees

Jacopo Tomatis The Atlas of Antagonist Discography.Italy: 1958-1980

Ed Emery Understanding my Record Collection:Italian Political Vinyl of the 1960s and ‘70s

Erica Bellia Fabbrica–Foresta: Notes on Work from Nono's Archive


18-18:30: Closing remarks


Festa (details to be confirmed)


The conference can also be attended remotely via Zoom. Please contact the convenors if you wish to receive the Zoom link.

Bursaries of up to £100 are available for unwaged and postgraduate delegates who are not based in Cambridge. Please get in touch by 10 April if you would like to be considered: Erica Bellia (eb692@cam.ac.uk) and Robert Gordon (rscg1@cam.ac.uk)

The event is generously sponsored by the Cambridge Intesa Sanpaolo Fund, ASMI (Association for the Study of Modern Italy) and the Gulbenkian Early-Career Fellowship in the Arts and Humanities at Churchill College. The event is organised in collaboration with OBERT (Observatoire Européen des Récits du Travail / European Observatory of Labour Narratives).

Convenors: Erica Bellia and Robert Gordon (Italian Section, MMLL Faculty, University of Cambridge)

Good to know

Highlights

  • 10 hours
  • In person

Location

Centre for Research in the Arts, Social Sciences and Humanities (CRASSH)

7 West Road

Cambridge CB3 9DP

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