Sally Davies – Managing Director of Abbey Road and AI Champion for the Creative Industries

Christine Hartland – COO, My SMASH Media

Susan Cummings – CEO, 10six Games

Vicki Williams - Policy and Partnerships Manager with the CoSTAR Foresight Lab

David Johnston - Creative Technology industry Manager (BFI)

Cimeon Ellerton-Kay - Research Fellow at Goldsmiths, University of London

Brian Tarran - Research and Statistics Editor (BFI)

Creative Work in the Age of AI: Tools, Practice and the Road Ahead

CoSTAR Foresight Lab

Join us to discover how creative professionals & technologists are reshaping ideas, tools and workflows in response to new AI capabilities.

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Hear insights from practitioners on applying generative AI and advanced machine learning. Discuss pressing issues around data, ethics and licensing with subject-matter experts. And gain forward-focused intelligence on sector adaptation and the evolving policy landscape direct from Foresight Lab researchers.Curated by the CoSTAR Foresight Lab team, this webinar brings together our most important AI insights for the creative industries from the past year.This is an event delivered by the CoSTAR Foresight Lab, a partnership led by Goldsmiths University of London, in collaboration with University of Edinburgh, Loughborough University and the British Film Institute. Find all our delivery partners in our <a href="https://www.costarnetwork.co.uk/labs/foresight-lab" title="https://www.costarnetwork.co.uk/labs/foresight-lab" target="_blank" data-msys-clicktrack="0" rel="nofollow noopener noreferrer">website</a>. This event is part of the CoSTAR AI for Creativity initiative, <a href="https://eur01.safelinks.protection.outlook.com/?url=https%3A%2F%2Fprotect.checkpoint.com%2Fv2%2Fr02%2F___https%3A%2Fwww.costarnetwork.co.uk%2Fai-for-creativity___.YzJlOnVsc3RlcnVuaXZlcnNpdHk6YzpvOmEwMTY5YWQ5ZmNmOTc5OTI0OTIxM2Q0NDcwODFlNDQxOjc6NWY1NDpiZTc2NmQyZmExMDQ0Y2M2OWVkNmU2YTVhNjhkMTE0MjE5OWVhNTc2OTljYmM2MDJkNmRhNDFlMTc2MGE1MGMzOmg6RjpO&amp;data=05%7C02%7CA.Piza%40gold.ac.uk%7C744de67288a3404181ed08deaac85f59%7C0d431f3f20c1461c958a46b29d4e021b%7C0%7C0%7C639135974777589567%7CUnknown%7CTWFpbGZsb3d8eyJFbXB0eU1hcGkiOnRydWUsIlYiOiIwLjAuMDAwMCIsIlAiOiJXaW4zMiIsIkFOIjoiTWFpbCIsIldUIjoyfQ%3D%3D%7C0%7C%7C%7C&amp;sdata=DkhRCPASZOPxl0b8InEXDvfoqILLxyx03MZtHMJRppI%3D&amp;reserved=0" title="https://eur01.safelinks.protection.outlook.com/?url=https%3A%2F%2Fprotect.checkpoint.com%2Fv2%2Fr02%2F___https%3A%2Fwww.costarnetwork.co.uk%2Fai-for-creativity___.YzJlOnVsc3RlcnVuaXZlcnNpdHk6YzpvOmEwMTY5YWQ5ZmNmOTc5OTI0OTIxM2Q0NDcwODFlNDQxOjc6NWY1NDpiZTc2NmQyZmExMDQ0Y2M2OWVkNmU2YTVhNjhkMTE0MjE5OWVhNTc2OTljYmM2MDJkNmRhNDFlMTc2MGE1MGMzOmg6RjpO&amp;data=05%7C02%7CA.Piza%40gold.ac.uk%7C744de67288a3404181ed08deaac85f59%7C0d431f3f20c1461c958a46b29d4e021b%7C0%7C0%7C639135974777589567%7CUnknown%7CTWFpbGZsb3d8eyJFbXB0eU1hcGkiOnRydWUsIlYiOiIwLjAuMDAwMCIsIlAiOiJXaW4zMiIsIkFOIjoiTWFpbCIsIldUIjoyfQ%3D%3D%7C0%7C%7C%7C&amp;sdata=DkhRCPASZOPxl0b8InEXDvfoqILLxyx03MZtHMJRppI%3D&amp;reserved=0" target="_blank" data-msys-clicktrack="0" rel="nofollow noopener noreferrer">click here</a> to find out more.Your data is processed according to the Goldsmiths University of London <a href="https://www.gold.ac.uk/data-protection/privacy-notices/" title="https://www.gold.ac.uk/data-protection/privacy-notices/" target="_blank" data-msys-clicktrack="0" rel="nofollow noopener noreferrer">Privacy Notice</a>.

Image banner on top of the page byHanna Barakat &amp; Archival Images of AI + AIxDESIGN / https://betterimagesofai.org / https://creativecommons.org/licenses/by/4.0/Alt Text: Two ceramic-like hands grip and pull on delicate threads that emerge from a "woven circuit board." The contrast between the rigid, heavy material of the hands and the soft, fragile threads creates a visual paradox, symbolising the insertion of human touch into the mechanised world. The image evokes a sense of personified anonymity, questioning whose histories and labours are being revealed or concealed when the threads of technology are pulled.

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Creative Work in the Age of AI: Tools, Practice and the Road Ahead

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