Cabaret Fundraiser for LOVING MEN+

Cabaret Fundraiser for LOVING MEN+

A fun evening of songs, humour, dressing up, with more than a smattering of queer history.

By James Hodgson

Date and time

Wednesday, July 10 · 7 - 9pm GMT+1

Location

The Concert Artistes Association

20 Bedford Street London WC2E 9HP United Kingdom

Refund Policy

Contact the organizer to request a refund.
Eventbrite's fee is nonrefundable.

Agenda

7:00 PM - 9:00 PM

Cabaret Fundraiser for LOVING MEN+

James Hodgson

Arkem Mark Walton


James has been performing as a singer pianist for 40 years with appearances on the BBC, at Ronnie Scotts and for the Royal Variety Charity. He has a passion for telling stories through song and inves...

About this event

  • 2 hours

The Concert Artistes Association is a Club for Acts and Actors with a lovely performance space and a subsidised bar upstairs. The entrance is located down a corridor. A red door with CAA in large letters admits you to this wonderful venue.

Our Cabaret will have two halves with interval drinks in the Jester Bar upstairs which will be open before during and after the event. Arkem will be presenting Shandy-Leer' the scintillating emanation from a labrynthine imagination! James Hodgson will explore Queer Herstory through song and we have guest artistes as mentioned below.

Auction

There will be a short auction to raise funds for the Lovingmen+ bursary fund.

Organized by

As a rather odd child of the 1960’s I grew up listening to the music of the 20’s and 30’s on my grandmother’s old wind-up gramophone. She taught ballroom dancing which was accompanied by a selection of antique pianists well versed in the traditions of stride piano. This period of music supplies my inheritance tracks or desert island discs. This music remains fresh, current/relevant and meaningful for me.

As a music therapist I experienced the power of song to express how we feel and who we are.

Sometimes a song can tell our story when we cannot express it ourselves

Many songs from this period have coded meanings hiding behind an innocent façade, giving them a creative tension that I find inspiring. The harmony, an interval or a particular choice of chord may just illuminate the lyric and make the meaning clear.

Sondheim describes each song as a one-act play. As both singer and pianist one treads a tightrope between technical challenge and artistic opportunity.  At best there is the chance to discover a personal interpretation of the song – to colour every nuance and mine the song for its expressive potential.

Through performance I seek to cross the boundaries of age and gender to draw on life’s rich tapestry and the creative possibilities of the imagination. I aim to give an intensely personal account of songs that demand to be sung in telling the stories that unite us all: of archetypal and lived love, wit and wisdom, pain and laughter.