Concurrent#2

Concurrent is a network of key researchers and leading improvisers to share approaches and theoretical insights, apply psychological understandings to collaborative performance and consider how performers share or construct meanings at the cutting edge of contemporary improvisation.

Concurrent - Research Network for Improvisation

Concurrent#2 will take place in January 2017! The second public event by Edinburgh College of Art’s research network for improvisation between disciplines follows on from Concurrent#1 in 2016, at which capacity audiences enjoyed an array of workshops exploring innovative ways for distinct improvisers to access each others’ practice and ground-breaking performances, documented on our Media page.
This year, activities get under way on Friday 13th January with talks from some of the collaborators on new work in progress, including Sophia Lycouris’ developing movement explorations of Edinburgh’s Botanic Gardens. Performances will follow integrating the sound world of the saxophone with live drawing and dance, including recent work by alto player Christian Ferlaino and new experimentation from Raymond MacDonald and Graeme Wilson with visual artist Emma Bowen (Garage gallery).
On Saturday 14th, daytime workshops will include on-going work to integrate the improvisation of dance and music therapists, using a performance between therapists and non-therapists to query how performative expectations shape improvising. Adam Linson (University of Edinburgh) will discuss improvisation as a characteristic of documentary film-making, while a talk from Tara French (Glasgow School of Art) will compare how participants in singing and dancing workshops perceived barriers and opportunities presented by improvising. Peter Wiegold (Brunel University/Club Inegales) will work with dancers and musicians on a system of conduction to encompass both disciplines. 
Performances in the evening of Saturday 14th will include the culmination of Peter Wiegold’s workshop, and new experimentation with strategies for cross-disciplinary improvising groups directed by Graeme Wilson & Raymond MacDonald. Saxophonist Franziska Schroeder (Sonic Arts Research Centre, Queens University Belfast) will perform with visual artists in an emerging electro-acoustic collaboration with ECA’s own Jules Rawlinson.
The full programme is set out below. For further information please see the Concurrent website at <A HREF="http://www.concurrent.music.ed.ac.uk/" TARGET="_blank" DATA-MSYS-CLICKTRACK="0" REL="nofollow noopener noreferrer">http://www.concurrent.music.ed.ac.uk/events/concurrent2-new-configurations-for-improvising/ </A>and follow us on twitter at <A CLASS="ProfileHeaderCard-screennameLink u-linkComplex js-nav" HREF="https://twitter.com/ConcurrentECA" TARGET="_blank" DATA-MSYS-CLICKTRACK="0" REL="nofollow noopener noreferrer">@ConcurrentECA.</A>
In the meantime, please register here for this exciting kickstart to 2017 (attendance is free, but places need to be reserved). Please let us know which sessions you wish to attend, the Friday evening performances, the Saturday day-time workshops, the Saturday evening performances or all sessions.
For questions feel free to contact us at <A HREF="mailto:concurrent@ed.ac.uk" TARGET="_blank" REL="nofollow noopener noreferrer">concurrent@ed.ac.uk</A>
See you all there!
The Concurrent#2 team
CONCURRENT#2 PROGRAMME
Friday 13th Jan: evening session 18.00 – 19.30 PERFORMANCES
<UL>
<LI>Cast of Thousands Graeme Wilson, Raymond MacDonald (saxophones); Emma Bowen (live visuals)</LI>
<LI>Into the Pipe (C. Ferlaino) Christian Ferlaino, Raymond MacDonald, Tina Krekels, Graeme Wilson (saxes); Tess Letham (dance)</LI>
<LI>Curated ensembles TBA (PA Tremblay)</LI>
</UL>
Saturday 14th Jan: morning session 10:30 – 12:00
<UL>
<LI>The Arts Therapist in public: the dichotomy of clinical & performative improvising Discussion incorporating performance Mairi Campbell, Philippa Derrington, Nicky Haire, Su-a Lee, Becky White (music) Vicky Karkou, Suzi Cunningham (dance) </LI>
</UL>
An improvised performance between musicians and music therapists will be discussed in terms of clinical vs performative improvising, and the ecology of encounters in public space. Further performance with dance/movement therapists will move the discussion on to shared understanding in movement and sound: musical responses to ‘other’, external and internal sound experiences in performance, and creating narrative in the moment.
Saturday 14th Jan: afternoon session 13:00 - 16.30
<UL>
<LI>Stepping out of your comfort zone: creating the conditions for improvisation Workshop Tara French & Ana Almeida</LI>
</UL>
Participation in improvisation provides the opportunity for a positive impact on wellbeing through a range of social and emotional benefits. However, a number of perceived barriers may prevent people from experiencing the benefits of improvisation. Building on last year’s session on perceived barriers to improvising with voice or dance, this workshop will explore with the audience how we can overcome reluctance to move or sing spontaneously. Audience members will be invited to take part in short vocal and movement improvisations.
<UL>
<LI>TITLE TBA Performance/discussion Adam Linson & PA Tremblay</LI>
</UL>
In an unprecedented interaction, these two improvisers will contest boundaries between computer technology and embodied musical performance.
<UL>
<LI>Conduction: Music and Dance Workshop Peter Wiegold</LI>
</UL>
Peter Wiegold often uses signals in his musical performances that give spontaneous simple frames/roles for the performers. Involving repetition, soloing, background/foreground, copying etc. To work somewhere between free improvisation and fixed scored elements. In this workshop he will take further explorations he began with dancers/choreographers last year where the same set of signals are shared in performance by an invited group of dancers and musicians.
Saturday 14th Jan: evening session 19:30 - 21:45 PERFORMANCES including:
<UL>
<LI>Performance from Conduction: Music and Dance workshop (led P Wiegold)</LI>
<LI>Performance from Stones Clouds project (led G Wilson, R MacDonald, C Keay)</LI>
</UL>
Experimentation with strategies of choice for cross-disciplinary improvising groups: musicians and dancers, and musicians and and visual arists
<UL>
<LI>Re-Breather Franziska Schroeder (saxophone); Jules Rawlinson, Dara Etefaghi (live processing) New work derived from the notion of breath, breathlessness and restriction.</LI>
</UL>
The saxophonist’s materials become the basis for the visual and sonic manipulations of the other artists. Realtime signal processing extends and augments the ecosystem of saxophonist, saxophone and the concert hall.
<UL>
<LI>Curated ensembles TBA (PA Tremblay)</LI>
</UL>
 
Access to the Reid Concert Hall: Concurrent#2 is taking place at the Reid Concert Hall. Due to construction, access to the Hall is through the Old Medical School, on Lothian Street (see map below).
<IMG SRC="https://cdn.evbuc.com/eventlogos/195687679/map2.jpg">

Reid Concert Hall

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Concurrent#2

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