Posthuman Assemblages and Technologically Enabled Performances

Hybrid In-person and Online Event:
Posthuman Assemblages and Technologically Enabled Performances

Queen Margaret University

N.B.: The event is available to TaPRA members and QMU members only. If you haven&#x27;t already, please register for TaPRA membership via the following <a href="http://tapra.org/join-tapra/" target="_blank" data-msys-clicktrack="0" rel="nofollow noopener noreferrer">link</a>. This is an in-person attendance ticket. So please only sign up via Eventbrite if you would like to attend the conference in person. For those wishing to attend online here is a Teams link: <a href="https://teams.microsoft.com/l/meetup-join/19%3ameeting_MTc3YTkyZTEtYWJhNi00NTdjLTk1NjktZTI1MjE5MTFiMWFl%40thread.v2/0?context=%7b%22Tid%22%3a%222833ef38-212b-47fc-a93a-3dd504038bf2%22%2c%22Oid%22%3a%22be9fa77a-b86d-4602-a06d-e9fdf703d2f0%22%7d" target="_blank" data-msys-clicktrack="0" rel="nofollow noopener noreferrer">Online session. </a>The event will begin at 09:45 with a tea/coffee reception, QMU (Main building, Pod Room 2108).During this event, we invite you to ponder collaborative relations between humans and other-than-humans. We will discuss questions that address the complex relationships that occur within technologically enabled performances in the context of posthuman assemblages. In order to develop a polyphonic discourse that recognises the heterogeneous mix of human and non-human others that operate within the nature/culture/technology continuum, we are inviting you to this hybrid event, facilitating participation by online delegates alongside those attending in person. Link to <a href="https://drive.google.com/file/d/1CA3KeHoU-gTUwcaIuqFcpxlzJbjI7584/view?usp=sharing" target="_blank" data-msys-clicktrack="0" rel="nofollow noopener noreferrer">Abstracts and Biogs</a>Schedule:9.45-10.00 Online participants admission In-person participants: tea/coffee reception at QMU (main building, Pod Room 2108) Gallery Space: ‘Assemblages – Documentation of Practice’ (main building, Pod Room 2109)10.00 – 10.10 Welcome by Bianca Mastrominico, Vlad Butucea, Piotr Woycicki, Anka Makrzanowska and Dan Barnard 10.10 – 12.00 Keynotes: ‘Posthuman Assemblages Made Through Scotland, Made of Humans and Other-than-Humans’ 10.10 – 10.30 Helen Varley Jamieson ‘Online Performance using UpStage’10.30 – 10.50 Suzon Fuks ‘Processes of assembling Be Like Body-Obsolete’10.50 – 11.10 Harry Wilson ‘Remote Walking with Technology during Covid-19’11.10 – 11.40 Q&amp;A 11.40 – 12.40 lunch breakGallery Space: ‘Assemblages – Documentation of Practice’ (main building, Pod Room 2109 and online gallery via Teams)12.40 – 13.00 Luca Proietti: ‘Living a Posthuman-Technocultural Theatre Through VR in Kuro Tanino’s The Dark Master’ by, SOAS University of London 13.00 – 13.20 Jo Scott: A lecture-demo ‘Sounding ecological processes: mixing more than human growth and digital sound in geo-located walking practices’ 13.20 – 13.40 Dan Barnard: ‘Shifting the Centre of authority in digital performance: an experiment in a more inclusive and polyphonic approach’ 13.40 – 14.00 Ada Xiaoyu Hao: A performance provocation ’ConTactic’ 14.00 – 14.30 Q&amp;A with Luca Proietti, Jo Scott, Dan Barnard, Ada Xiaoyu Hao 14.30 – 14.50 tea/coffee break Gallery Space: ‘Assemblages – Documentation of Practice’ (main building, Pod Room 2109)14.50 – 15.30 Leonie Rae Gasson: a keynote ‘Interactive Talk: Expressing Queerness and Neurodivergence through a Mixed Reality Practice&#x27; 15.30 – 15.50 Q&amp;A with Leonie Rae Gasson 15.50 – 16.00 Assembling of the open-ended points Piotr Woycicki, Anka Makrzanowska, Dan Barnard, Bianca Mastrominico and Vlad Butucea

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Posthuman Assemblages and Technologically Enabled Performances

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