Reuter in Tehran

Live Performance by Bahar Noorizadeh in collaboration with Intibint (In-person)

Live Performance by Bahar Noorizadeh in collaboration with Intibint

Details to follow.

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Co-curated with Bahar Noorizadeh, part of Weird Economies x Scotland programmed alongside Noorizadeh's exhibition at Cooper Gallery, The Debtor's Portal.

Biographies

Intibint is a producer, singer-songwriter, visual artist and DJ, born and raised between the UK and Yemen. Her music is primarily electronic, embedded with inspiration from Yemeni sounds, exploring themes that straddle both the personal and the collective. Her live performances infuse layered vocals, field recordings, as well as both original productions and covers of songs from the Arab region and beyond. Across sound, visuals, and performance, whether producing original music, curating a dancefloor, or through her work as the founder of @al.yamaniah, Intibint’s practice is rooted in resistance and reclamation.

Bahar Noorizadeh’s work looks at the relationship between art and capitalism, and their entangled moral, social and organisational technologies. In her practice as an artist, theorist and filmmaker, she examines the conflictual and contradictory notions of imagination and speculation as they collapse into one another. Her research investigates the histories and the futures of economics, from cybernetic socialism to neoliberal finance, and activist strategies against the financialization of life and the living space, asking what redistributive historical justice might look like for the present.

Noorizadeh is the founder and organiser of Weird Economies, a multi-authored platform dedicated to radical economic imaginaries. Her work has appeared at the Guggenheim Museum NYC (2024), Taipei Biennial (2023), Venice Architecture Biennial (2021), Transmediale Festival (2020, 2022), Tate Modern Artists’ Cinema Program (2018), and Geneva Biennale of Moving Images (2018) among others. She is the co-editor of the e-flux special issue on Iran (May 2024) and has contributed essays to e-flux Architecture, Journal of Visual Culture, and Sternberg Press, and anthologies by Duke University Press and MIT Press. Noorizadeh completed a PhD in Art at Goldsmiths, University of London and is currently teaching in MA Geo-Design at the Design Academy Eindhoven.

www.baharnoorizadeh.com

Access

Cooper Gallery is located to the right side of the DJCAD buildings on Perth Road. The entrance is via double doors which face onto a car park.

The gallery is on two floors. Ground floor has ramped access. First floor is accessible by an internal lift and six steps with a handrail. Wheelchair access is via a stairclimber. Please email in advance if you require lift or stairclimber access.

First floor is also accessible via 24 steps. Two flights of 12 steps with handrails are separated by a landing.

Exhibition video is captioned in English. Audio will be played aloud via speakers. Seating is provided and/or additional seating available, please ask an invigilator.

For all enquiries please email: coopergallery@dundee.ac.uk

Toilets

The ground floor has a wheelchair accessible toilet. The toilet is gender neutral.

Interpretation

Large print versions of the exhibition information handout are available, please ask our Guides. If you require alternative formats for material in exhibitions please email or ask our Guides.

Funding support

The exhibition is supported by the National Lottery through Creative Scotland and with the kind support of Duncan of Jordanstone College of Art Centenary Trust. The Otolith Collective is supported using public funding by Arts Council England.