Reverberations: A Response to the Her Noise Archive is an exhibition investigating radicality within noise and sound art, in the digital age. It takes place online, on-air and at Chelsea Space. Curated by MA Curating and Collections (MACC) students at Chelsea College of Arts,  Reverberations features work from a range of black, Asian, global-majority-heritage (BAGMH) and gender-queer practitioners to cultivate an intersectional legacy of feminism within sound arts. Including Turner Prize nominees, Black Obsidian Sound System (B.O.S.S.), poet Anaïs Duplan and interdisciplinary artist Himali Singh Soin, to the next generation of underground practitioners from Europe, Asia and North America.

Reverberations takes place across three platforms: a series of digitally curated email newsletters, live performances and film screenings at Chelsea Space and a radio broadcast via Reverberations FM. 

In the second week (20-24 September), Chelsea Space will screen films from the LUX archive, showcasing works by queer, BAGMH and disabled artists involved in art, sound and activism.

As part of the film programme of the exhibition, Chelsea Space will screen four films:

Jenny Brady’s Receiver (2019)

George Barber & George Snow’s Art of Noise: Legs (1987)

Evan Ifekoya’s Okun Song (2016)

Black Obsidian Sound System’s film Collective Hum (2019)

The films will screen in a loop, starting on the hour from 10am to 5pm at Chelsea Space. Approximate duration 30 minutes. We ask visitors to kindly wear a face covering when in the space.

Read more about the exhibition and subscribe to the email newsletters via the project website www.ualmacc.com/reverberations.

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This event is part of our end-of-year celebrations for this year’s graduating students from Camberwell, Chelsea and Wimbledon.

You can see more of their work and discover the next generation of creatives from University of the Arts London at the UAL Graduate Showcase

Visit graduateshowcase.arts.ac.uk

#ChelseaClassof2021

#UALShowcase