Name: Technologizing Throw-Away Culture
Start: 2017-04-12T19:30:00+01:00
End: 2017-04-12T22:00:00+01:00
Location: Whitechapel

Technologizing Throw-Away Culture

The Royal Central School of Speech and Drama is a higher education conservatoire – a specialist college nurturing creative collaboration. Courses include acting, applied theatre, movement, musical theatre, drama & movement therapy, theatre & live performance, puppetry, scenography, actor & teacher training, voice, technical arts & production, and writing for stage & broadcast media.  With over 60 academic staff, together with visiting artists and lecturers, Central has the largest grouping of drama/theatre/performance specialists in the UK, an active research culture and is a hub for the theatre and performance industries. www.cssd.ac.ukDani Ploeger is a new media and digital performance artist. He is a Research Fellow at The Royal Central School of Speech and Drama. www.daniploeger.org

The Royal Central School of Speech and Drama, University of London

Video art by Ellen Pau (HK), Dislocation, [1min 47sec], Greenman Muleh Mbilleh (Kenya), CON-FYU-ZEI [5min 18sec], Dani Ploeger (UK/NL), Tethering (for Gakindu sheep), [42sec] Photography by Alexia Manzano (AR/D) Panel discussion with Catherine Chapman (freelance journalist, VICE/NBC), Dani Ploeger (artist, The Royal Central School of Speech and Drama), Marianna Tsionki (research curator, Centre for Chinese Contemporary Art, Manchester) and Dr. Chris Williams (Institute of Education, University College London) Curated by Marianna Tsionki In January 2017, a group of artists and academics travelled through Kenya to examine the rise of cheap, throw-away quality electronics. They visited downtown shopping streets, rural markets, luxury shopping malls and wholesale traders to buy and document one of the cheapest electronics accessories: USB charging cables. This event will include a presentation of their archive of USB cables, video and photography artwork, and a panel discussion on the broader implications of the recent global proliferation of cheap electronics. Over the past decades, large numbers of used electronic devices from Europe and North-America have been exported to countries in Africa and East-Asia, where they have been re-used and eventually discarded and processed as waste. However, in recent years a change has been taking place in the global distribution of electronic devices and their accessories. 
More and more often, new low-grade, cheap electronics – including phones, tablets and their accessories – are now exported directly from manufacturers in East-Asia to consumers in both the Global North and the Global South. In the nearby future, this stream of new devices may replace the export and re-use of second-hand devices from Europe and North-America. At the same time, everyday electronic devices and peripherals that are so cheap that even consumers in developing economies can afford throwing them away quickly are likely to become commonplace. 
The artists and academics taking part in this project have been examining this development through psychogeographical explorations of various trading sites for consumer electronics in Kenya. While drifting through different environments, they purchased a range of USB phone charging cables and documented various aspects of these objects, their surroundings, and the stories accompanying them. This has formed the starting point for reflection on the ways in which these seemingly small and banal objects might reflect broader themes. What does the rise of ultra-cheap technologies mean with regards to the role of technology as a classic cultural symbol for progress and the new? How might the changing global distribution of consumer electronics reflect larger shifts in international (neo-colonial) power dynamics? This event is organized by The Royal Central School of Speech and Drama, University of London, and forms part of the research network ‘Bodies of Planned Obsolescence: digital performance and the global politics of electronic waste’, which is led by Dr. Dani Ploeger and has been supported by the Arts and Humanities Research Council, UK (grant references: AH/L01582X/1, AH/P006329/1). www.e-waste-performance.net
 Info: Hannah Whittaker (general information): hannahgwhittaker@gmail.com Dani Ploeger: daniel.ploeger@cssd.ac.uk

Whitechapel

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Technologizing Throw-Away Culture

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